Thursday, 29 March 2012

'Media texts rely on cultural experiences in order for audiences to make sense of narratives.' Explain how you used conventional or experimental narrative approaches in one of your productions.

I am going to discuss my advanced portfolio in which I created a music video for the soft rock song, 'Better Together' By Jack Johnson, in relation to various theories of narratives. 

One theory of narrative that explains how we used conventional narrative approaches in our music video is Vernallis. Her theory focuses on 4 concepts that relate to the way a music video is constructed. Narrative is one of the 4 concepts, Vernallis looks at a range of points when considering the construction of a music video and its narrative. 

A theory of narrative which our music video seems to challenge is Todorov's narrative theory. Todorov separates music video's into different stages. There are 5 different stages which he believes contributes to his theory, that the narrative must undergo a transformation, therefore the characters featured must undergo this transformation by going through a disruption. 

According to Vernallis theory of narrative we have shown conventional approaches in our music videos. Vernallis says that a narrative may not always be complete, it may be fragmented, partial narrative. Our music video complies with this as our narrative for our video is fragmented. Throughout the video the audience see the main male character alone, however the female character fragments the narrative as we see her from time to time, cutting into the performance of the male artist. This is fragmented because it does not happen at specific points in the video. Also the videos do not correspond to the lyrics as the girl is not with the male artist until the end, signifying 'better together'. The structure of our music video is disjointed as we have included still pictures of the video which would not fit in with a experimental music video according to Vernallis. Our video does not always use the narrative to drive it forward, for example we used different shots of the male artist performing. We also used still images to drive the video forward. this is how our music video fits in with the conventional narrative approach of Vernallis' theory of narrative. 

However Todorov's theory would say our music video challenges his theory of narrative. Todorovs first stage is equilibrium, which is when everything is as it should be at the beginning. Our music video challenges this as we begin it with the male artist alone. As the song is about being better together our state of equilibrium would involve our male artist with a female throughout. But in our music video the supposed state equilibrium is fragmented, this challenges Todorovs theory. In our music video there is no form of disruption that occurs as we can see the male and female are both happy throughout the video. At the end of the music video the male and female character come together and show meaning of the song being better together. This could be seen as the stage of new equilibrium, however due to the fragmented narrative of the performance and still images we can see how it does not fit with Todorov's theory of narrative.

Our music video shows conventional narrative approaches when applied to Vernallis' theory of narrative. However it does not fit Todorov's theory narrative as you cannot see a form of transformation throughout our music video. 

Wednesday, 28 March 2012

Discuss how you used genre in one of your products

The product I am going to discuss in relation to genre is my foundation portfolio, in which I created a 2 minute thriller film opening. 
The genre of my film opening is obviously thriller, however our sub-genre's that we chose were revenge thriller and psychological thriller. Once we chose our sub-genre we had to begin to apply the generic conventions of a psychological/revenge thriller, by doing this it would be able to be recognised by our target/existing audience. Steve Neal said that ‘genre is a repetition with an underlying pattern of variations' which meant certain generic features had to be included and repeated which in my case was the use of a dark settings and flash-forwards which show the antagonist preparing tools which would be used for a torture against the victim. The pattern of variation is seen where we included the abduction of our victim as well as showing the torture scene, we also let the audience see a glimpse of the antagonist, to encourage them to continue watching the movie. 
For our research into our thriller sub-genres we watched many thriller openings which had the same sub-genres as our thriller opening. We felt we needed to do this as genre is what attracts the desired audience as Christine Gledhill says, 'Different genres allow different audiences to be identified and catered to..' as our genre is revenge/ psychological thriller we made sure it appealed to the right age group, 15-24 year olds. By incorporating the right conventions to highlight out genre, we hoped that it attracted our desired audience, this is why we felt it was important to research our sub-genres and why we tried to stick to the conventions of our genre. We found that genre plays a big role in relating to a specific audience, which is why we used our producers and distributors to help us. In our thriller opening we used the producer name 'Perfect Dark' the reason we chose to use this name is because we felt it reflected our genre and would help us further in attracting the right audience. Denis McQuail refers to the commercial and industrial significance of genres, and stresses that it is important as it helps target audiences or producers capitalise on the success of the product. In order for our opening to be a success in reality we needed to use the genre as one of the main elements to attract our audience and potential producers. 
However we didn't stick to the conventions of a thriller exactly, as the first scenes with the victim walking are filmed in a bright setting. This would conflict with the common conventions of a thriller genre, this is because you wouldn't usually associate abductions in a thriller to occur in daylight. This particular setting and scene could make audiences question our genre and the target audience could change as it doesn't show repetition within a genre. This is the first scene in our opening, the audience also see the victim being abducted in daylight which can also been seen as a conflict in our specific thriller genre. 
Our thriller opening uses genre very clearly and efficiently, as it uses repetition in my conventions and settings. My advanced portfolio shows how the use of genre attracted my target audience and how the use of specific producers can also effect how the audience would perceive the genre. 

Monday, 19 March 2012

Becoming Human: Case study

What is the show about?
 Becoming Human is an 8 part online drama from the makers of Being Human. It follows the story of Adam, Being Human's teenage vampire, as he teams up with Christa and Matt to solve a dark and dangerous murder. 
At the heart of Becoming Human are eight video episodes, (between 5 and 13 mins) where the story (a murder mystery) unfolds. But the narrative expands beyond the video episodes with daily clues posted on the Becoming Human blog. Clues took the form of fictional text and image based press cuttings, CCTV footage, mobile phone clips posted by the Becoming Human characters. This ‘multiform’ approach to story telling gave the audience a unique experience of the Being Human story world. To drive broad appeal, the experience worked on two levels – audiences could just watch the episodes or they could dive deeper and read and contribute to the mystery unfolding via the blog.
http://www.bbc.co.uk/blogs/becominghuman/

When did it begin and how long are the shows?
The show is only online, and each episode is about 6 minutes long, however the first episode launched was about 13 minutes long. This spin off began in january 2011 and finished in march of 2011.

How many viewers does it get?
Becoming Human is a cross platform, interactive drama by the creators of BBC Three’s Being Human. Told across eight episodes online and on red button, with a daily interactive whodunit for users to join in, Becoming Human is BBC Three's most successful  cross-platform commission with over 1.5 million views to date. The Becoming Human blog became more popular than the main Being Human blog with several posts receiving between 2000 and 10 000 as the story unfolded. Fans enthusiastically took up the challenge to find out who killed Matt with a number of blog posts receiving between 2000 and 10 000 comments.

Saturday, 17 March 2012

Memorable quotes

Shirky - 'A revolution doesn't happen when society adopts new tools, but when society adopts new behaviours.'

Hartley - 'From "one-to-one" to "many-to-many".' 

Jillian York - 'Don't get all techno utopian, twitters great for spreading news but this revolution happened offline.' (Tunisian revolution) 

Saturday, 10 March 2012

Michael Wesch

Sum up Michael Wesch's main point about the web (or YouTube in particular) in one paragraph.
Wesch see's YouTube as a new forms of expression, new forms of community and new forms of identity emerging. He says YouTube is a community where anyone can express themselves, and it enables people to easily upload videos to the web. More people are then able to join in, in various forms of expressions, e.g the numa numa guy. This allowed people from all over the world to come together and connect through videos of the same thing. He says that the web is not just about information, its about linking people, and in ways that we haven't been able to do so, before the web. 

Networked individualism - Created by Berry Wellman, thanks to the Internet, individuals can get in touch with other individuals for all sorts of purposes, bypassing institutions, the state or other agencies.
The invisible audience phenomenon - People record themselves infront of a webcam, and are essentially talking to that webcam, at the time they don't know who their audience is, and it feels like they are talking to no one. However when published people do watch it, at the time they are recording themselves, it feels as if they are talking to an invisible audience. 
Context collapse - The idea that you never know where or when someone will be filming you, and if or when the footage is uploaded to YouTube. 
Connection without constraint - Allows people to connect without having to see the reaction of their audiences. 

On the whole, do you agree or disagree with Wesch's ideas?
I do agree with Wesch's ideas, as I can see how the web, and in particular YouTube has allowed people to connect and create a community where anyone and everyone can contribute to it. They are able to express themselves without having to see the reaction of their audience, which means they can be as silly as they like. Although there are some negatives of this, as people can also use the web, or YouTube to mislead members of that community, which would also then result in a negative effect, questioning the validity of the community.

How might Wesch's ideas be applied to the music industry? 
YouTube has contributed greatly to the music industry recently as it allows the discovery of new and potential upcoming artists to be found e.g Justin Bieber, and it also has become a new platform for advertising all artists in the music industry. Many artists are now able to advertise and get feedback on certain videos, it also allows them to give more to their fans easily. The web as a whole enables people of the same interests in music to connect easily and share views.